KENT MINTURN (Ph.D., Columbia University, 2006)
Selected Publications
"Greenberg Misreading Dubuffet," in Joan Marter, ed., Abstract Expressionism: The
International Context (New Brunswick, NJ: Rutgers University Press, 2007): 125-137.
Klee and America [Preview], Artforum (January 2006): 84.
"There's Someone Missing Here, It's Pollock," exh. cat., Modern Paintings from the NYU
Collection (Cork, Ireland: Lewis Glucksman Gallery, 2005): 37-47.
"Seeing Malevich, Cinematically," Art Journal (Winter 2004): 141-144.
"Lichtenstein, Incorporated," Archives of American Art Journal 44:1-2 (Winter 2004):
47-51.
"Dubuffet, Lévi-Strauss and the Idea of Art Brut," Res 46 (Autumn 2004): 237-248.
"Digitally-Enhanced Evidence: MoMA's Reconfiguration of Namuth's Pollock," Visual
Resources 17:1 (Spring 2001): 127-145.
"Peinture Noire: Abstract Expressionism and Film Noir," in Film Noir Reader II, ed. James
Ursini and Alain Silver (New York: Limelight Editions, 1999): 270-309.
In Progress:
Book-length study of Jean Dubuffet as a Writer as well as an Artist
Selected Courses and Seminars
"Art and Literature in Postwar France";
"Twentieth Century European Modernism";
"Art
Between the Wars, 1919-1939";
"Impressionism and the Origins of Modern Visual Culture"
Awards
Dedalus Dissertation Grant, 2005.
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